Friday, 25 November 2011

Lecture 5 : The Gaze and the Media

‘according to usage and conventions which are at last being questioned but have by no means been overcome - men act and women appear. Men look at women. Women watch themselves being looked at’
(Berger 1972)

The gaze almost detaches ourselves with consciousness, its the connection between the viewer and the subject matter. When looking at another human being we can presume someones mood, attitude or intention from their facial expressions, this can be a overpowering factor in art and design purely because of the effects this can achieve.

'men act and women appear"
The quote above is very relevant to the time at which Hans produced the painting Vanity due to the male dominance of the 1400's. The men possessed the wealth and therefore had ost works of art were produced by men because they money to pay for it, art was a product of the upper classes. As a result this had a massive influence on the subject matter, women are treated as an object to be viewed by the man.

Hans Memling ‘Vanity’

Hans Memling was a German-born painter who moved to Flanders and worked in the tradition of Early Netherlandish painting, becoming one of the leading artists from the 1460s until the end of his life, painting both portraits and several large religious works.

Women Know they are being Looked at.

The mirror in the painting distracts the models eyes almost involving her in a physical action, distracting her attention from fully focusing on the audience.

The Yves Saint Laurent advert on the right above was changed from being horizontal to being arrange vertically to add emphasis to the direction at which you look, pushing you attention on the face rather than the eyes.

Coward, R. (1984) 

•The camera in contemporary media has been put to use as an extension of the male gaze at women on the streets

Coward, R. (1984)

•The profusion of images which characterises contemporary society could be seen as an obsessive distancing of women… a form of voyeurism
•Peeping Tom, 1960

Pollock, G (1981)

•Women ‘marginalised within the masculine discourses of art history’
•This marginalisation supports the ‘hegemony of men in cultural practice, in art’
•Women not only marginalised but supposed to be marginalised.

Cindy Sherman,
“Untitled Film Still # 6”,

Barbara Kruger
‘Your Gaze Hits The Side of My Face’

Barbara Kruger
I Shop Therefore I Am

Susan Sontag (1979) ‘On Photography’

•'To photograph is to appropriate the thing photographed'
•The act of photographing is more than passive observing. Like sexual voyeurism, it is a way of at least tacitly, often explicitly, encouraging what is going on to keep on happening'

Reality Television 

 • Appears to offer us the position as the all-seeing eye- the power of the gaze
•Allows us a voyeuristic passive consumption of a type of reality
• Editing means that there is no reality
•Contestants are aware of their representation (either as TV professionals or as people who have watched the show)

Looking is not indifferent. There can never be any question of 'just looking'.

Victor Burgin (1982)

The video below Is a really good example of the female gaze, How women have been objectified to sell a product. If you watch the video below and count how many times you catch the women on screen stare right into the camera this becomes more apparent. Their beauty and aura put across in the video subliminally sells you the Ipad.

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